Daniel Steegmann Mangrané (b. 1977, Barcelona; based in Rio de Janeiro since 2004) works with organic elements and technology and creates artworks through a variety of media—drawing, installation, photography, sculpture, film, video, holograms and virtual reality—often tracing the boundary between nature and artifice, where the separation between subject and object disappears and the collective experience is radically transformed. At the same time, intrigued by the richly biodiverse Brazilian rainforest, Steegmann Mangrané offers a reflection on the fragility and the possible disappearance of this environment, directly involving the observer in an intimate encounter with a depiction of nature and its animal and vegetal components. Some of the most relevant international institutions have hosted Steegmann Mangrané’s solo shows, including IAC – Institut d'art contemporain, Villeurbanne; Nottingham Contemporary, Nottingham (2019); CCS Bard College, New York; Fundació Antoni Tàpies, Barcelona; CAC, Vilnius (2018); Fundação de Serralves, Porto (2017); Medellín Museum of Modern Art, Antioquia; The Green Parrot, Barcelona (2016); Museu de Arte Moderna, Rio de Janeiro; Casa Modernista, São Paulo (2015); CRAC Alsace Centre Rhénan d’Art Contemporain, Altkirch (2014); Casa França-Brasil, Rio de Janeiro (2013). His works have also been presented in numerous group shows, such as: the Centre Pompidou-Metz, Metz, 14th Lyon Biennale (2017); 9th Berlin Biennale (2016); New Museum Triennial, New York; Kadist Art Foundation, Paris (2015); 9th Mercosul Biennale, Porto Alegre (2013); 30th São Paulo Biennale (2012). Daniel Steegmann Mangrané’s practice also involves curatorial projects, such as the recent show by Peruvian artist Armando Andrade Tudela at CA2M – Centro de Arte Dos de Mayo, Madrid.
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